s h e ⁞ h e r ⁞ 2 9
_ p r a c t i c e
While invited to contextualise or when inviting others to participate, curators collect knowledge in anticipation of where to intervene and which gaps to fill around an exhibition. Within the scope of every project, understanding what to collect and who to collect it for is an endeavor that takes to dig below groundwork, uncovering parts of the various structures to have sunk across a field of search and coming upon ways to make a sum.
With a background in curatorial and artworld practice as well as art history, my focus remains on the spaces between audiences, artists, and institutions alongside the ones growing off funding bodies and the art market. By staying aware and engaged with that of others diving into a project, I aim to keep mapping out where they would look to cross over to allow them to follow through at their own pace.